CARL LEE / Myoptic
JUNE 6 - JULY 13, 2019
OPENING RECEPTION: JUNE 6, 6-9 PM
For our inaugural launch, Undercurrent is proud to present Carl Lee’s solo exhibition, Myoptic. A seminal exhibition for a group of artists branching out from Sla307 Art Space in Chelsea, whose mission was to promote Lithuanian art and diaspora through a cultural exchange, Myoptic marks the move to a new home and our neighborhood debut in DUMBO. This is Carl Lee’s first solo show in New York City and will be on view from June 6 - July 13, 2019. On display are several media installations that act as containers for memory, time, and community.
Myoptic’s largest installation is Last House, a three-channel video installation, with footage centered around the demolition of a single-family home in Buffalo, NY. Beginning with the portrait of a home, Lee obfuscates the house’s identity by distilling it to a silhouette. The iconic outline provides space for us to fill with our own memories and historically references silhouette portraiture predating the advent of photography. The background fades from black to moving imagery around the structure of the home, forcing us to consider absence and presence within the changing landscape. Lee weaves us from exterior imagery to interior clips of domestic life, where morning light casts endless chiaroscuro shadows abstracting the familiar space while drawing attention to fragments. Paralleling our experiences with memory, these parts of a whole are amplified with the poetic dubbing of a slow demolition, foreshadowing the home’s eventual physical demise. We are powerless as we view footage of the demolition, relating to our own mortality and the inevitability of decay. Last House is a real-time vanitas installation where time slips by, surrendering our memory and sense of home to change. Lee appropriately implies that with every end is a rebirth, of which he leaves to our imagination.
Another work embracing the house as a vessel is Telescope House 2, an interactive media sculpture constructed out of wood, glass, camera, three monitors, and three media players. Contrary to Last House’s immersive experience, Telescope House 2 is viewed through an individual lens, aptly for the integration of home video footage and an intimate subject, his family. While sharing memories of his daughter’s heartbeat in utero, Lee harmonizes appropriations of Eadweard Muybridge’s Horse in Motion and Bird in Flight, the first moving images ever created. There is a trifecta of sensory stimulation - image, sound, and touch all mingling, amplifying our experience while tapping into our own memories. The repetition of a heartbeat, the matryoshka-like homes nesting within one another, and the reproduction of a new generation echo the cycle of life.